An intrepid filmmaker on a journey of discovery as he uncovers possibly the largest health secret of our time and the collusion between industry, government, pharmaceutical and health organizations keeping this information from us.

这是一个问题你不可以提出。他们不想你看的是这部纪录片。

刚分手的一对恋人、毫无自信的亚西混血、百无聊赖的变装皇后、拉长脸的勾勾男孩.....各怀心事的一群同志因为各种原因，来到西好莱坞一间酒吧寻找消遣和狂欢。每个人都在内心独白，各种声音最后汇聚成一首歌；然而在喧嚣之外，每个人又都在寻找着什么......托尼奖最佳作曲填词Jeff Marx和五项格莱美得主Mervyn Warren为本片设计音乐和舞曲。

Leading dream researchers demonstrate the extraordinary equipment they use to investigate the world of sleep, including human narcoleptics, sleepwalking cats, recurrent nightmares, and people who claim to be unable to dream.

Featuring interviews with the likes of Hitchcock, Kurosawa, Robert Bresson and David Lynch, What is Cinema? is documentarian Chuck Workman’s engrossing visual essay about mastery of cinematic form. Our world premiere will be followed by a live conversation with Workman.

Ce documentaire-question cherche à définir la Haute Couture d’aujourd’hui. Filmé à Paris en janvier 2016 pendant les présentations de Haute Couture, la caméra de Loïc Prigent pose la question dans les ateliers, dans les coulisses, aux ouvrières, aux premières d’atelier, aux directrices de la Couture de maisons comme Chanel et Dior, aux clientes et bien sûr aux grands couturiers. Giorgio Armani, Jean Paul Gaultier, Karl Lagerfeld et les autres, donnent la définition de la Haute Couture. Une Haute Couture pour prendre l’avion ou pour des journées exceptionnelles, des mariages. Alors que le prêt-à-porter de luxe se vend dans des centaines de boutiques sur les plus belles avenues du monde, la Haute Couture s’achète à Paris, dans quelques salons feutrés. Comment la vend-on ? Avec pour chaque robe, des exclusivités par territoire ou des exclusivités mondiales qui se monnaient au prix fort. On parle aux ouvrières pour observer le travail, à la main, en silence, le soin porté aux "propretés intérieures" invisibles mais qui font la différence. On palpe la notion de ce que c’est de travailler 300 heures sur un manteau en crochet de raffia. On tente d’élucider les raisons de prix si astronomiques, à partir de 40 000 € pour un tailleur et jusque 200 000 € pour une robe brodée, des prix justifiés par la main d’œuvre mobilisée pendant des durées impressionnantes. Enfin, on observe les clientes, les mécènes de cet écosystème, qui concèdent que "c’est cher, très cher" mais qui achètent, irrésistiblement, faisant vivre une des plus anciennes traditions de mode de Paris. Scène par scène, un portrait de la Haute Couture se brosse, contrasté, entre les richissimes et les ouvrières et avec les grands couturiers qui font vibrer tout ce monde, auréolés à juste titre du prestige unique qu’est la Haute Couture.

Prologue:let's put it straight.Betsy Blair is miscast.Is this because she played Borgnine's so called ugly girl in the Oscar-winning "Marty" (1955)?Perhaps so ,but her beaming face ,her luminous smile,her intense longing for happiness are anything but unattractive .She's not Ava Gardner,by a long shot,but she easily outshines her would be handsome lover. 　　Prologue 2:Is it possible,considering the high rating of "calle mayor",that nobody -Spanish users,get a life!It's your culture!- felt like writing about this unfairly overlooked gem? "Calle Mayor" (Grand Rue,Hauptstrasse,Main Street)is the place where ,in a provincial town,people meet,talk and wait.All a woman has to do , Tonia says ,is wait wait wait ,behind her window,at the ball,or on "calle mayor".Isobel has been waiting for eighteen years for a man,because,in the fifties in Spain (and in Europa as well),the only way a woman had is marriage.Or she would become a wallflower and a spinster. 　　"Calle mayor" is a trap :the omnipresence of religion can be felt here there and everywhere ,with the church bells marking out the hours in a town that has stood still for years,with the nuns pacing up and down the street ,asking for a few pesetas more for their good works.A group of men ,not so young anymore,is searching for something to do.A good joke would be nice to kill time :so they ask one of them to pretend he's in love with Isobel ,the thirty-five year old woman-at the time,it was much too late !-.Isobel begins to live in a dream,and the buck cannot bring himself to tell her the truth (out of pity?he does not know himself)..I say it again,Betsy Blair,although excellent was not the right choice :first she's not Spanish ,and mainly she 's not ugly .So it does not always work well,because,if we were in the man's shoes,we would fall in love head over heals with her.But this must not prevent you from watching Juan Bardem's sensitive work:his depiction of the provincialism is absorbing , the sad landscapes on the edge of town or this little railway station where the tragedy is resolved are masterfully filmed. 　　Juan Bardem was a committed artist.He was arrested before he finished "Calle Mayor" and later he produced Bunuel's masterpiece "Viridiana".It's really too bad that ,now that Spanish cinema triumphs again with Amenabar ,Bardem's name should be virtually forgotten.

Prologue:let's put it straight.Betsy Blair is miscast.Is this because she played Borgnine's so called ugly girl in the Oscar-winning "Marty" (1955)?Perhaps so ,but her beaming face ,her luminous smile,her intense longing for happiness are anything but unattractive .She's not Ava Gardner,by a long shot,but she easily outshines her would be handsome lover. 　　Prologue 2:Is it possible,considering the high rating of "calle mayor",that nobody -Spanish users,get a life!It's your culture!- felt like writing about this unfairly overlooked gem? "Calle Mayor" (Grand Rue,Hauptstrasse,Main Street)is the place where ,in a provincial town,people meet,talk and wait.All a woman has to do , Tonia says ,is wait wait wait ,behind her window,at the ball,or on "calle mayor".Isobel has been waiting for eighteen years for a man,because,in the fifties in Spain (and in Europa as well),the only way a woman had is marriage.Or she would become a wallflower and a spinster. 　　"Calle mayor" is a trap :the omnipresence of religion can be felt here there and everywhere ,with the church bells marking out the hours in a town that has stood still for years,with the nuns pacing up and down the street ,asking for a few pesetas more for their good works.A group of men ,not so young anymore,is searching for something to do.A good joke would be nice to kill time :so they ask one of them to pretend he's in love with Isobel ,the thirty-five year old woman-at the time,it was much too late !-.Isobel begins to live in a dream,and the buck cannot bring himself to tell her the truth (out of pity?he does not know himself)..I say it again,Betsy Blair,although excellent was not the right choice :first she's not Spanish ,and mainly she 's not ugly .So it does not always work well,because,if we were in the man's shoes,we would fall in love head over heals with her.But this must not prevent you from watching Juan Bardem's sensitive work:his depiction of the provincialism is absorbing , the sad landscapes on the edge of town or this little railway station where the tragedy is resolved are masterfully filmed. 　　Juan Bardem was a committed artist.He was arrested before he finished "Calle Mayor" and later he produced Bunuel's masterpiece "Viridiana".It's really too bad that ,now that Spanish cinema triumphs again with Amenabar ,Bardem's name should be virtually forgotten.

内德（布莱恩·科兰斯顿 Bryan Cranston 饰）是一位传统意义上的老父亲，将女儿斯蒂芬妮（佐伊·达奇 Zoey Deutch 饰）视为人生的意义，掌中的瑰宝。假期来临，内德兴致勃勃的携全家上下前往女儿所在的斯坦福，想要重温一下久违的阖家欢乐的时光，然而让内德没有想到的是，女儿的男友莱尔德（詹姆斯·弗兰科 James Franco 饰）从中插了一脚，彻彻底底的毁掉了这次假期旅行。 　　莱尔德是一名硅谷科技新贵，整日里和网络与最新的科技设备打着交道，他整天捣鼓的一切对于老派而又保守的内德来说无异于天方夜谭，而莱尔德的不善言辞与古古怪怪亦加剧了他和准岳父之间关系的裂痕。

内德（布莱恩·科兰斯顿 Bryan Cranston 饰）是一位传统意义上的老父亲，将女儿斯蒂芬妮（佐伊·达奇 Zoey Deutch 饰）视为人生的意义，掌中的瑰宝。假期来临，内德兴致勃勃的携全家上下前往女儿所在的斯坦福，想要重温一下久违的阖家欢乐的时光，然而让内德没有想到的是，女儿的男友莱尔德（詹姆斯·弗兰科 James Franco 饰）从中插了一脚，彻彻底底的毁掉了这次假期旅行。 　　莱尔德是一名硅谷科技新贵，整日里和网络与最新的科技设备打着交道，他整天捣鼓的一切对于老派而又保守的内德来说无异于天方夜谭，而莱尔德的不善言辞与古古怪怪亦加剧了他和准岳父之间关系的裂痕。